movies

Light Through The Veins (part 2)



Light Through The Veins (Part 2)
(now available on iPhone due to some tecknical magic done by me and Harry Potter)

I hugely enjoy making these photo movies, which are a bit like Pages from Ceefax if you remember that. Late at night on TV when they had run out of programmes and had to go to the shop to buy more, there would be a selection of digital textual information and bad ASCII art pictures, all accompanied by inappropriately relaxing music.

It takes a long time though as it takes me about three years to take enough photos to make one of these. Also Jon Hopkins albums do not come out all that often to enable me to take his unique and inspiring music and use it to lend an undeserved glamour to my grainy cell phone photographs. So enjoy this one, and peace be upon you in My name.

Also, enjoy a special appearance by Liz’s foot in this movie.

(The music is Cerulean by Jon Hopkins.)

Light Through The Veins (part 1)

It is a cheerful time at the moment as it is Spring and here are some appropriate colourful photographs, suffused with sunlight and lovingly melded with the magical, cinematic music of Jon Hopkins. It is my unofficial fan video for his track, which I am not getting paid for, and indeed will be heavily sued over.

You can see Part 2 here.

(The music is Light Through The Veins by Jon Hopkins.)

Far Away Frames Passing By (Part 4)

The final chapter! A heartwarming story of a boy and his camera, love, loss, and coming of age, against a backdrop of a family torn apart. And six world wars.

(The backing track is Ulrich Schnauss’s Blumenwiese neben Autobahn.)

Far Away Frames Passing By (Part 3)

It is Friday and everyone is very tired after not electing a governmint, so relax with some photos that I took, accompanied by soothing whale sounds, if whales emitted ambitronica.

(The backing track is Ulrich Schnauss’s Never Be The Same.)

Far Away Frames Passing By (Part 2)

Turn the lights down, turn the speakers up, and enjoy. May cause relaxation.

(The backing track is Ulrich Schnauss’s Blumenthal.)

Far Away Frames Passing By (Part 1)

Another movie of some of my photos (click to play). This is a bit like the Landscape Channel, if the Landscape Channel had a soundtrack by Ulrich Schnauss. Which would actually be awesome.

(The backing track is Ulrich Schnauss’s Knuddelmaus.)

There Will Be Blood

What the hell was that movie about. Still, Daniel Day-Lewis does have an exciting moustache in it. I think I am going to grow one of those moustaches on my face.

My campaign to become an internet tycoon continues, although I have not killed anyone with a bowling pin yet, that is only on the Advanced Affiliate Marketing course. I think I would be quite good as a tycoon. If I’m honest, I just like to say the word ‘tycoon’.

Still it is a good movie. I understand it is available on DVD to pre-order at Amazon, if you click the picture of Daniel Day-Lewis’s moustachioed face. I do not say whether you should do this or not. As an honest broker I remain neutral.

Please buy it or they will hurt my family

Madness is over-buying bread

I went to the cinema to watch that movie Michael Clayton. It is really good in fact, you did not think I would like it as it does not have anyone shooting guns or going into space, or shooting guns in space, but I confounded your expecktations. It is not a fast-moving action blockbuster, considering it is written by the same bloke that wrote The Bourne Ultimatum there is no spies, sex, brainwashing, or governmint conspiracies and a strickly limited number of explosions and murders (one each).

Still it is an intelligent, sensitive and nuanced character piece with excellent performances, most notably by George Clooney’s face. The story develops slowly (three people walked out before the end of the first reel, tut-tutting with impatience) but builds to its climax via well-written dialogue scenes that never seem to drag. The plot is familiar (evil big company makes dangerous product, covers up evidence) but thankfully it is not one of those thrillers densely jammed with implausible twists and tricks, where if you go to the bathroom for five minutes you miss finding out that the hero was a robot all along.

Clooney is complicated and believable as the troubled New York attorney who stumbles on something darker than the usual corporate venality. Delicious Tilda Swinton gets too little screen time as head lawyer of EvilCorp, driven to take some decidedly extra-legal measures to control a desperate situation. She is probably one of my top favourite actresses named after rice.

So that is my movie review, I give it five bits of popcorn out of five, only there is not any left because I scoffed it all!